Hi,
Betty, at the very bottom of this post is a video depicting cats in art which I think youâll like.
While the weather has been deplorable, now where have I heard that word used before, and my stomach is in knots awaiting the outcome of Tuesdayâs election, Iâve gone on several museum visits which Iâve enjoyed. As youâll see in a Times article below, while the lack of patrons is very pleasant for me, itâs starkly bad for the museums who without patrons are again having to contemplate layoffs and furloughs as well as limiting exhibits. And it doesnât appear our pandemic will be ending any time soon so itâs going to be a very unpredictable and difficult future for art. Also, with the cold weather and heavier coats required, it will be that much more uncomfortable as the coat checks are all closed so we have to either wear or carry our heavy coats. Not ideal conditions for spending an hour or two in the museum.
Several weeks ago I took a friend to the Met and we were there for about four hours. Once again there were no lines to get in and we were able to access the Making the Met exhibit also with no wait. Afterwards we did the sculpture court and the British galleries both with just a few other visitors. We ended up in the American wing and had it pretty much to ourselves the whole time. On the other hand I visited this morning and while there was no line to enter the museum, there was a line to get my ticket with no members only desk in sight. And this time, when I went upstairs to the second floor, there was a long line waiting for access to Making the Met. But galleries I visited were sparsely attended.
The following week I visited Questroyal American art gallery for their latest exhibition. As always it was a treat, many beautiful things from all the usual suspects. A nice addition to my enjoyment of the American wing. Here are a few of the things I enjoyed.
Sanford Robinson Gifford - The Column of St. Mark, Venice, Moonlight, 1870
https://www.questroyalfineart.com/the-column-of-st-mark-venice-moonlight/ Albert Bierstadt - Swiss Scene
https://www.questroyalfineart.com/swiss-scene/ Martin Johnson Heade - Twilight in the Tropics, 1876
https://www.questroyalfineart.com/twilight-in-the-tropics/ William Trost Richards â Sunlit Coast, 1869
https://www.questroyalfineart.com/sunlit-coast/ Thomas Moran - Sunset, Amagansett, 1905
https://www.questroyalfineart.com/sunset-amagansett/And last week I visited the Morgan library.
Luckily I checked the website the day before I planned to visit as I learned that one has to reserve a ticket online, you canât just show up at the door. I didnât think I was going to be able to get the ticket as the website says they need 24 hours notice and I wrote to them late the day before. But they emailed my ticket fairly quickly which led me to believe that there wasnât a great demand for tickets.
This proved to be true as I arrived at 10:28 AM, two minutes before opening, and when the doors opened there were 8 of us including me. I donât think that number grew while I was inside. It was very pleasant. I hadnât been in the library for a long time and didnât remember the Tintoretto. Itâs by Domenico, the son of Jacopo, and has been downgraded to Workshop of, but itâs a magnificent portrait.
Workshop of Domenico Tintoretto
https://www.themorgan.org/objects/item/160380I did remember the Memlings and the Cranach pendant portraits. This is one of the Memlings.
Hans Memling - Portrait of a Man with a Pink
https://www.themorgan.org/objects/item/160382 In the basement they exchanged the portrait of Mrs. Morgan by Sargent for one by Sorolla which I donât think Iâve seen before.
Portrait of Frances Tracy Morgan
https://www.themorgan.org/objects/item/214103 Also in the basement, opposite the small paintings from the Thaw collection, they had some watercolors from the permanent collection which were lovely.
JMW Turner - Lurleiberg.
https://www.themorgan.org/drawings/item/123382John Martin - Diogenes Throwing Away His Cup -
https://www.themorgan.org/drawings/item/308972David Roberts - The Valley of Jehoshaphat, Jerusalem
https://www.themorgan.org/drawings/item/315165The main exhibit was David Hockneyâs drawings, self-portraits and portraits of his friends, Celia Birtwell, Maurice Payne and Gregory Evans. I'm not mad for Hockney but I enjoy a lot of it. I don't consider it great art, but it can be fun and pleasing to the eye. He is incredibly prolific, but unlike Dali at least it's all really by him. The Birtwell crayon drawings were really very nice, colorful and flattering. Most of them are from his Foundation and other private collections. There are no images on the website but you can see a bunch of them at the links below.
This is a self-portrait from when he was 16 or 17. Precocious boy.
https://thedavidhockneyfoundation.org/artwork/116 Celia, Carennac, August 1971 â This was my favorite image of Celia, I love the coloring and her relaxed pose.
https://tinyurl.com/yytem3el This is a link to Art Summary, with multiple images from the exhibit.
https://tinyurl.com/y2ueaswk This is a review from the Guardian with images.
https://tinyurl.com/wxnznjr This exhibit also ran at the National Gallery in England and here is a short video displaying much of the art. I think the Morgan was a smaller version as there were a few things in this show that I donât remember seeing.
https://www.youtube.com/watch?v=B002XJkTO2w&feature=youtu.be This exhibit also ran at the National Gallery in England and here is a short video displaying much of the art. I think the Morgan was a smaller version as there were a few things in this show that I donât remember seeing.
https://www.youtube.com/watch?v=B002XJkTO2w&feature=youtu.be I was there about an hour and glad I went.
Before the mouse died on my computer I had a number of articles saved in my Outlook, but since I had to switch to my old machine I have no access to them. These are two articles Iâve come across in the last few weeks.
This is from the Times. Iâve also linked to an art blog in case the Times denies access. As I mentioned above, it speaks of the dire circumstances museums are experiencing with the restrictions limiting visitors. To paraphrase the lady in the last line of the article, itâs bad for the museum but good for me.
How long can NYC museums survive at 25% capacity?
https://www.nytimes.com/2020/10/26/arts/design/nyc-museums-covid-capacity.html https://artdaily.com/news/129552/How-long-can-NYC-museums-survive-at-25--capacity-Iâve always loved seeing cats in paintings and this 24 minute video from the Met shows, with images from their collection, how cats have been depicted down the ages in art.
Watch: A Very Weird Short Film About the History of Cats in Art at The Met
https://www.kqed.org/arts/13886425/watch-a-very-weird-short-film-about-the-history-of-cats-in-art-at-the-met And here are the most recent Cocktails with a Curator from the Frick.
Cocktails with a Curator: Romney's "Lady Hamilton"
https://tinyurl.com/yxuzjnvf Cocktails with a Curator: Bertoldo's "Pazzi Conspiracy" Medal
https://tinyurl.com/y432qpmm And here are a few Flickrs for those non art lovers.
Andy G.
Happy Satin Sissy
https://www.flickr.com/photos/155197071@N05/50346784202/maid to pleasure
https://www.flickr.com/photos/jessicasatin79/50393672222/Halloween is Crossdresser Christmas!
https://www.flickr.com/photos/mishamonroe/50555036666/ I hear you knocking but you can't come in. Only joking Punters follow me to my boudoir.
https://www.flickr.com/photos/frillyknicks/50472055218/4917
https://www.flickr.com/photos/28339425@N08/50406751306/