Hello everybody and welcome back to My Weekly Flickr.
I went back to the Met again as my brother mentioned seeing new donations by Jayne Wrightsman in gallery 632, an Italian gallery in the European wing. There are 19 paintings in the gallery, 15 donated by her of which 11 came to the Met this year. The 15 paintings are broken down into four artists, Canaletto, Guardi, and the father and son Tiepolo’s. Wrightsman passed away this April at 99 and as noted in her obituary, which I’ve linked to below, she was the Met’s most important patron. The Wrightsman Galleries for French Decorative Arts consist of 13 period rooms of furniture, objects and art that she donated, as well as numerous other paintings in other areas of the Met. A remarkable woman. To fully appreciate her generosity you have to consider that any of these paintings would be stars in other museums rather than just one of many. The Met’s collections are encyclopedic, there is always something to see. Or see again. Below are the paintings from the gallery.
Jayne Wrightsman, Arts Benefactor and Doyenne of High Society, Dies at 99
https://www.nytimes.com/2019/04/20/obituaries/jayne-wrightsman-dead.html Canaletto - Piazza San Marco, late 1720s – 1988 donation
https://www.metmuseum.org/art/collection/search/435839 Canaletto - Warwick Castle: The East Front, 1752
https://www.metmuseum.org/art/collection/search/438106 Canaletto - A Lock, a Column, and a Church beside a Lagoon
https://www.metmuseum.org/art/collection/search/438105 Canaletto - The Grand Canal, Venice, Looking South toward the Rialto Bridge,1730s
https://www.metmuseum.org/art/collection/search/438100 Campo Santa Maria Zobenigo, Venice,1730s
https://www.metmuseum.org/art/collection/search/438101 Canaletto - The Grand Canal, Venice, Looking Southeast, with the Campo della Carità to the Right,1730s
https://www.metmuseum.org/art/collection/search/438102 Canaletto - Campo Sant'Angelo, Venice, 1730s
https://www.metmuseum.org/art/collection/search/438103 Francesco Guardi - The Island of San Michele, Venice,1770s
https://www.metmuseum.org/art/collection/search/438117 Francesco Guardi - The Villa Loredan, Paese, early 1780s
https://www.metmuseum.org/art/collection/search/438116 Giovanni Battista Tiepolo - Allegory of the Planets and Continents, 1752 – 1977 donation
https://www.metmuseum.org/art/collection/search/437790 Giovanni Battista Tiepolo - The Apotheosis of the Spanish Monarchy, 1760s – 1980 donation
https://www.metmuseum.org/art/collection/search/437791 Giovanni Battista Tiepolo – Flight into Egypt
https://www.metmuseum.org/art/collection/search/438128 Giovanni Battista Tiepolo – The Meeting of Antony and Cleopatra, ca. 1745–47
https://www.metmuseum.org/art/collection/search/438129 Giovanni Domenico Tiepolo - A Dance in the Country, ca. 1755 – 1980 donation
https://www.metmuseum.org/art/collection/search/437812 Giovanni Domenico Tiepolo - The Departure of the Gondola,mid-1760s
https://www.metmuseum.org/art/collection/search/438130 In other art news this week.
MOMA has never been a place I like to go to on a regular basis; modern art isn’t a favorite although, of course, they have the great Impressionists as well as Hopper and some of the other early 20th Century Americans that I enjoy. But it’s always been oppressively crowded. I went to a Magritte exhibition a few years ago, he’s someone that I like and it was a big exhibit, but it was so crowded that I only stayed a little while before leaving without seeing most of it. This week the Times ran two long articles on the renovation and reopening which are below. In the second one the author says they opened up more gallery space but that this in turn will also increase attendance so it’s hard to say what visiting will be like. I’ll have to go at some point when they reopen to see what it’s like and check out the permanent collection. Things they haven’t had on display will now be given a chance to be seen and a large part of the permanent collection on display will rotate during the year. I checked the website and Hopper’s Gas, one of my favorites and a spooky painting showing an Esso station on an isolated road across from a forest, is back on display. It wasn’t the last time I visited. MOMA owns six of his paintings and a number of his drawings but only one other painting shows up on the website as on view. Hopefully when they rotate the others will make appearances.
MoMA Reboots With ‘Modernism Plus’
https://www.nytimes.com/2019/10/10/arts/design/moma-rehang-review-art.html With a $450 Million Expansion, MoMA Is Bigger. Is That Better?
https://www.nytimes.com/2019/10/09/arts/design/with-a-450-million-expansion-moma-is-bigger-is-that-better.htmlAnd now, this week’s Flickrs.
Andy G.
Pansy 2
https://www.flickr.com/photos/queerina_slutskaya/35556818445/Sissy crossdresser
https://www.flickr.com/photos/149512189@N04/40283658353/Little Miss Muffet 2_5
https://www.flickr.com/photos/trans_kyoko/5096340415/DSCF5783
https://www.flickr.com/photos/donnalouise/17989176154/Crossdressing man looks better as a woman?
https://www.flickr.com/photos/159297030@N04/48029393446/candy silk
https://www.flickr.com/photos/181594057@N05/48508258862 Feeling ....
https://www.flickr.com/photos/183092731@N03/48686591743/New dress
https://www.flickr.com/photos/charliesweetie/44492971010/Sweet girl. Мy kiss for you
https://www.flickr.com/photos/146436560@N03/45596678685/timt to go to bed_
https://www.flickr.com/photos/saki_75153/43936619862/