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Author Topic: Well, I guess it’s safe to start the Spring Flickr now.  (Read 28438 times)

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Online andyg0404

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Re: Well, I guess it’s safe to start the Spring Flickr now.
« Reply #10 on: May 23, 2015, 06:42:07 PM »
Hello everybody and welcome back to My Weekly Flickr.

It was a beautiful day today but chilly and windy. It confounds me that it is the middle of May and we are still waking up to temperatures in the 40’s. All last week the mornings were cool and it didn’t warm up that much during the day. I came home one day last week and the thermostat in my living room was on 65, which is certainly not frigid but not what you expect. I had opened the windows in my house upstairs and I finally went around and closed all of them which helps, now the thermostat is at 66. But hopefully it will warm up soon. I’m wearing my flannel shirt as I type this.

I had a frustrating week but at least I have the three day weekend to look forward to, hope other board members do as well. Today I went into New York and walked up to the Metropolitan Museum of Art to see the small Van Gogh exhibition that just opened. This consists of four paintings he did at the end of his life and this is the first time they have been reunited in 125 years. It’s two pictures of Roses and two pictures of Irises. All four paintings are from the same size canvas but two are painted vertically and two horizontally one of each for each flower. Two of them are in the Met permanent collection, one is from the National Gallery of Art in Washington and the final one, the one I’ve never seen before, is from the Van Gogh museum in Amsterdam, a place I sorely would love to visit, and hope to someday. They are beautiful as you may imagine but there is an accompanying story to them. He used a red paint which was known for its brilliance but he also knew it might fade. And sadly it has. One of the Irises now has a white background but when he painted it the background was pink. All the color has faded out of it as has the pink in the roses. This is a link to a very interesting 8 minute video slide show on the Met website which explores the four paintings and how they’ve faded and through manipulation shows how they might look today if he had used a different pigment.  http://www.metmuseum.org/metmedia/video/collections/ep/van-gogh-irises-and-roses This is a link to the description of the show from the Met website. http://www.metmuseum.org/exhibitions/listings/2015/van-gogh And this is a review of the show from the NY Times. http://www.nytimes.com/2015/05/22/arts/design/review-van-gogh-irises-and-roses-sheds-light-on-a-disappearing-red-hue.html The show is a big attraction and when my brother went during the week it was very crowded. I got to the Met this morning at 10AM when it opened and consequently I was the first one in the gallery and had the paintings all to myself for most of the ten minutes I stood admiring them. If I’ve done this properly, you will see a picture my brother took of the crowd in front of the paintings. The people on the left looking away from the paintings are viewing the video which was mounted opposite.

Afterwards I took in the “Sultans of Deccan India, 1500–1700: Opulence and Fantasy” exhibit. Indian art is fairly new to me and I am still trying to work my way into it. It’s different from the art I appreciate but much of it is beautiful. Part of my problem is that much of it is very small and even with the magnifying glasses they put out for guests it is still hard to see the details. They are very colorful and filled with great detail and intricate. This is a good example, the image is a little bigger than 4”x5” and there is a lot to see. http://tinyurl.com/lkorwnr But there are also images which are larger and clearer and very colorful and beautiful like this Parrot. http://tinyurl.com/lknhtwx This is a link to the NY Times review of the show. http://tinyurl.com/kby6fl4 And this is the first page of a listing of every object in the show, 232 in total. http://tinyurl.com/mxpmu65 In addition to the art there are many objects, bowls, coins, jewelry etc. which are also interesting to see. So while it’s not overly my cup of tea it was certainly entertaining.

Last week I took my friend into the City for a tour of museums and we had a splendid time. I told her that I walked everywhere and she said that she loved to walk. She proved to be a real trouper as my pedometer told me at the end of the day that we had covered more than six miles in our wanderings. We started at Christie’s auction house for the American exhibit where I was pleased to see three items by Edward Hopper,
an oil painting, Two Puritans, two houses side by side, http://tinyurl.com/kyfbzev a watercolor, House with Dead Trees, if that doesn’t sum up Hopper in a few words I can’t say what does, http://tinyurl.com/lwqjrls,  and a charcoal drawing, South of Washington Square http://tinyurl.com/knrtwsf all of which were wonderful. This was not a blockbuster show but there were other very nice things as well. From Christie’s we walked over to the Japan Society for the second rotation of the Japanese woodblock prints which I wrote about after my first visit. Finally we walked up to Two Columbus Circle to the Museum of Art and Design to see the work of Richard Estes, a photorealist artist. This is a link to the website http://www.madmuseum.org/exhibition/richard-estes. They were extraordinary and while in some of them if you look closely it becomes apparent they’re paintings, in others it was really difficult to tell.  When you visit the website and click on the first painting you’re going to think it’s a photograph. And his technique is amazing, one of them was a painting of him taking a picture of a store front window with the reflection of him holding his camera in the window and the signs from the opposite side of the street reflected, such as McDonalds, backwards! Really fascinating. Afterwards we walked downtown and had dinner at a diner near the Port Authority after which we went back to my place and had dessert, the chocolate squares I had baked. I had a great time but I was even more pleased that my friend had enjoyed it just as much as I did and said that she wanted to do it again. Couldn’t be more happier.

Well, now that you’ve had the art lesson for the day and I’ve caught you up on my social life, let’s wander over to the Flickrs. Let me first say that Flickr has changed the site again and like so many people I really don’t like what they’ve done to it. It also seems to me that fewer images are coming up now. Another case where they can’t leave well enough alone. Grumble, grumble!

Andy G.

She's a whore and she's smoking

https://www.flickr.com/photos/stevi_smokes/17298560765

img407

https://www.flickr.com/photos/75047565%40N00/17075337967

414

https://www.flickr.com/photos/lilyblinz/17237630411

Fawn silk N

https://www.flickr.com/photos/59132217%40N03/17063558247

Motel ready...

https://www.flickr.com/photos/claudiafenchel/16648532574

Maria Clasp

https://www.flickr.com/photos/chrispenfold/17201361676

Boys Will Be Girls Oaxaca Mexico Carnival

https://www.flickr.com/photos/ilhuicamina/17061853179

bit of light reading...

https://www.flickr.com/photos/131111227%40N04/17341246351

another role for dom-master...

https://www.flickr.com/photos/131111227%40N04/17358241662

Jessica Sissy Dress from www.sissypink.com

https://www.flickr.com/photos/tallulahhh/17357367361/



Online andyg0404

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Re: Well, I guess it’s safe to start the Spring Flickr now.
« Reply #11 on: May 30, 2015, 04:24:04 PM »
Hello everybody and welcome back to My Weekly Flickr.

Pretty beautiful day with the rain not scheduled to arrive until tomorrow around Noon which is fine with me.

I have been commuting into New York City for work for about 39 years now, aside from an unhappy four year stretch when I was sold, along with the Company I was working for,  to another Company in New Jersey to which I had to drive to work. I initially figured I would be able to take a bus but to go from my home in NJ to the plant in NJ I would have had to take a bus into New York, then a bus out of New York to get there and then reverse the trip in the afternoon. A ridiculously long commute for no reason. The drive was 30 minutes but I hate driving and I was driving on three of the worst highways in NJ and the last winter I did it was a really bad one with snow, not to mention the fact that the plant flooded when rains were heavy. I hated working for this Company to begin with but when I drove off the road in the snow I knew I had to get out and go back to working in New York again. Luckily I was able to find a job and it’s now been 15 years since I renewed the commute.

That’s a very roundabout way to get my point which is that the bus I take in every morning has become very unreliable. It’s always been late but recently it’s been very late and this week it didn’t arrive at all three days in a row. Hence I arrive in the City 40-45 minutes later than usual which doesn’t affect my job as my time is not clocked but is tremendously irksome to me. I had similar experiences during the winter and let me tell you that when you’re over 60 years old you do not want to stand in three degree weather waiting for a bus for 40 minutes. It isn’t much better when the temperature is 60. It’s why I want to work from home or retire.

I know that calling NJ Transit is pointless as the only thing I will get out of the call is irritation but I just felt I couldn’t let this go without comment. Especially as they are conspiring to raise the fares nine percent as service and the Port Authority and the entire infrastructure continues to corrode. On the second day it didn’t arrive I called to find out what's going on but all you can do is file a complaint. And I got an agent who after I told her my name was Andrew, then told her my email address was my name and started with Andy, stopped me to say, you said it's Andrew and now you say Andy. After a momentary pause as I was literally at a loss for words, I explained briefly about diminutives. Ultimately she told me I would hear back in 3-4 days. The next day when I called back, the agent just asked if I wanted to file a complaint and I said yes; she asked me my name and said I would hear back in a few days. I asked if she had my contact information and she said yes, as soon as she entered in my name it came up. Probably with a flag saying difficult customer. I know I will get a nonsense answer but I just had to make an effort.

I took a walk over to Christie’s auction house again this morning, this time for the Old Masters preview. I can’t say I was disappointed as everything I saw was very beautiful but this is not one of their bigger auctions, no real blockbuster paintings to speak of and lots of follower of, circle of, school of and attributed to. Still, there were a number of Dutch paintings that were lovely, even the lesser renowned Dutch artists were very talented. If this show has a blockbuster I guess it’s a painting by Gainsborough of a man name Richard Brooke. It was given its own wall in the middle although when I went back to the website I see it’s not in the catalog and can’t be called up on a search. Very odd. It was, to me, an unusual style as the man in the painting didn’t have the traditional long neck I’ve seen on so many of Gainsborough’s portraits.  If this isn’t in this auction then the total amount sold I would guess will be very low.

A Dutch artist I very much like is Gerard Ter Borch. I saw an exhibit of his work at the National Gallery and it was spectacular, he painted a barn scene with a cow and you could see the nail heads on the floor of the barn. His portraits are wonderful as well. This is a portrait, Portrait Of A Young Man In Armor (Cosimo Iii De' Medici?), that is oil painted on copper. It’s not in very good condition and I imagine a good cleaning would probably increase its value, it’s set to bring in between $60 and $80K which sounds low to me. Generally oil on copper is very bright and beautiful, I went to an exhibit at the Bruce museum of the artist Jan Van Der Heyden and there was an oval painting that he had done on copper and it absolutely glowed, very beautiful. I’d love to see this painting restored. Here’s a link. http://tinyurl.com/ptpf4l7

Another great Dutch artist was Ferdinand Bol. He’s represented here by a Portrait of a Lady Traditionally Identified As Maria Louise Gonzaga. As you will see when you click on the link she was clearly a lady to be reckoned with.  http://tinyurl.com/owe4pfc

When I speak of less renowned artists I’m speaking of people like Hubert Van Ravesteyn, someone I’m unfamiliar with. There was a still life he did of walnuts in a bowl with several other items on a table which was wonderful. There is a tablecloth, the Dutch were great with fabrics, and the tablecloth is bunched together and you can see it has tassels on the edges. One of the walnuts has been cracked and there are pieces of shell on the table as well as a pipe shown hanging over the edge. Lovely.  Here’s a link  http://tinyurl.com/oropemm

Leaving the Dutch, I’ll turn to a Spaniard, Francisco de Zurbarán, someone whose art I saw at the Hispanic Society. He painted mostly religious paintings and in this auction we see his rendition of Veronica’s Veil, a cloth with the image of Christ.  It’s a very finely done painting, although it loses much of its appeal in the link I’ll give you. You can’t even see the tiny gold pin he painted under the image which appears to be holding up the bottom of the cloth. It’s definitely not anything I would want to hang on my wall and look at on a daily basis but it is a magnificent work of art nonetheless. http://tinyurl.com/pdh3rre

Finally let me point out a painting by Francesco Guardi, a Venetian painter of the 18th Century who like Canaletto, another of my favorites, painted scenes of Venice, the canals, the courtyards, the buildings etc. Very detailed and on a grand scale. This is Venice, The Bacino Di San Marco With The Departure Of The Bucintoro http://tinyurl.com/p5jvb7s

So, as I said, not a blockbuster exhibit but a very pleasant way to spend some time on a Saturday morning.

Let’s visit the Flickrs.

Andy G.

22726692

https://www.flickr.com/photos/lololatex71/17352658295

sissy in need

https://www.flickr.com/photos/chantal_fouet/17120526310

Vestido Pin Up lunares y stilettos charol negro

https://www.flickr.com/photos/130065391@N02/17180914049

Red summer I

https://www.flickr.com/photos/59132217@N03/17337781922

Prison Stripes

https://www.flickr.com/photos/briannagrant/17103551247

TRANSEXUAL KATYA

https://www.flickr.com/photos/carlmax41/17117619537/

Red and Black

https://www.flickr.com/photos/amberjolake/17329927925

A Fifth Avenue girl

https://www.flickr.com/photos/sesquipedalian_girl/16730162083

JapanSun 2015-050.jpg

https://www.flickr.com/photos/titinetar/17200948330/in/set-72157651978396399

Womanless Contest - Best of the Best final

https://www.flickr.com/photos/127416594@N02/17364266485/in/photolist-bpEMV8-9iZFCE-ssqpsV-9gZ4Pk-dRgS6E











Offline transboy

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Re: Well, I guess it’s safe to start the Spring Flickr now.
« Reply #12 on: May 30, 2015, 07:26:35 PM »
Hi Andy. Great finds as always. I believe the person on the right in the womanless contest picture was a contestant at Rainbow Middle School Womanless Beauty Pageant. Click on the section that says - See pictures of the winner and all of the participants!

Here is the link: http://rms.ecboe.org/news/what_s_new/r_m_s_womanless_beauty_pageant/


 nice legs

Online andyg0404

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Re: Well, I guess it’s safe to start the Spring Flickr now.
« Reply #13 on: June 06, 2015, 03:00:58 PM »
Hello everybody and welcome back to My Weekly Flickr.

Well, really not a lot going on to discuss, it was another chilly week which is hard for me to take in June. The forecast for today was for it to finally warm up as the day progressed but unfortunately for me, the morning, which is when I’m out, was cool, windy and wet. Right now, if I can believe the weather site, it’s in the 70’s. Hope it stays that way for a while. I haven’t turned my heat back on but I finally closed my windows when I came home from work and it was 64 degrees in my living room. Warmed up to 65 with windows closed.

No museum or art galleries today, I went into New York City and walked downtown to buy shoes at the Kmart and almonds at the Trader Joe’s. I’ve had a difficult time finding a pair of shoes that’s comfortable and I think it’s because I was buying a size that was too small. In the past when I tried on size 9, they seemed loose and when I tried on size 8 ½ they fit better but were  a little tight. I assumed they would get looser as I wore them but that did not turn out to be the case. So this time I went with the size 9 and I’m hoping things are better. I put insoles in which already take up some of the slack so I’m hopeful. It’s really important to me as I do so much walking. I knew my almonds were going to be more expensive this time due to the ongoing drought in California. I saw an article from 2014 that said that California is responsible for 82% of the world’s almond production and it also pointed out that the cost of almonds had doubled in the previous five years. And now it’s another year. When I started buying them at Trader Joe’s they were $3.99 lb, the last time I bought them they were $5.99 lb and I expected them to be $6.99 lb but they cost $6.49 lb this trip. I have no doubt they will go up again. I buy plain, dry roasted almonds and use them in the cinnamon almond sugar cookies that I bake. But I also love eating them. They’re very good for your health but they are calorie filled, one ounce of almonds which is about 24 nuts is 160 calories. The article said to eat them sparingly and eat them one at a time and chew them 25-40 times for optimum benefits. To that I can only say, are you kidding! It’s hard enough not to just pop a handful in and then keep reaching back into the bag. But I restrain myself as I don’t want to  turn back into Mr. five by five.

As there is no art lesson today I guess we’ll just wander over to the Flickrs now.

Andy G.

top of the world totty..

https://www.flickr.com/photos/131111227@N04/17436640785/

So Sleeveless

https://www.flickr.com/photos/briannagrant/17193323344/

img157

https://www.flickr.com/photos/75047565@N00/17188840287/

DSC_7021 Avec Patricia Brune

https://www.flickr.com/photos/23509681@N02/17362436129/

RuiMatsushita9.hiro.smj.dc016

https://www.flickr.com/photos/130820203@N04/17349641456/

Seeing Washington DC!

https://www.flickr.com/photos/kaceycdpix/17376033661/

I went out shopping and wore this dress for the first time in a long while.

https://www.flickr.com/photos/dianabakergt56/17183553837/

boys will be... girls

https://www.flickr.com/photos/7234518@N05/17381585075/

T Girl Tuesdays Cinco De Mayo 2015

https://www.flickr.com/photos/9514484@N05/17202163029/

Sissy Maid 06

https://www.flickr.com/photos/phillymichaela/17353600359/

Online andyg0404

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Re: Well, I guess it’s safe to start the Spring Flickr now.
« Reply #14 on: June 13, 2015, 06:10:04 PM »
Hello everybody and welcome back to My Weekly Flickr.

Well, it is a beautiful day today, warm with a nice breeze, my kind of weather. As I’ve said so many times I’m happiest in the heat. To amplify on that, when I bought my house 8 years ago it came with two air conditioners. I’ve never turned them on. For the longest time I didn’t even know where one of them was mounted. Today the weather site tells me it’s 83 degrees and I’m currently baking a turkey in my kitchen, something my friends always comment on with a question mark as in, you have the oven on today? In this heat? Well, yes. Need the turkey for my lunches and I’m not going to let the heat interfere with that.

Anyway, I walked up the Metropolitan Museum of Art this morning to catch up on a few things. The wonderful thing about the Met is its size and enormous collection, no matter how often you go you’ll still see things you’ve never seen before. But it can be frustrating as well as ostensibly they don’t have enough guards to allow every area of the museum to be visited daily. My brother has told me on a number of occasions that the Jack and Belle Linsky collection is something to be seen. It’s another bequest with a proviso that it must be kept together and not dispersed to different areas of the museum, much like the Lehman wing which I’ll discuss in a moment. It’s a large collection and they have two paintings that I would very much like to see, one by Gerard Ter Borch and one by Rubens. The Rubens is a small portrait of a young man painted in oil on copper and the Ter Borch is a family portrait of his cousin with his wife and baby son. Every time I’ve tried to visit the collection it’s been closed due to manpower shortage. I called yesterday to see if it would be open and was told that the decision on what is open and closed is made on a daily basis so they couldn’t tell me. Of course when I got there it was closed. I wrote to the museum about this and I’m waiting to hear back. Aside from visiting the museum every day until I finally get to see it, which at the moment isn’t possible, I’m wondering how they would suggest I get to see it. It’s very frustrating.

My first stop today was Maurice Prendergast: Boston Public Garden Watercolors, which is hung on the lower level of the Lehman Wing. Three weeks ago I spoke of seeing the four Van Gogh Irises & Roses paintings but I see I neglected to mention that they were exhibited in the Lehman wing. Lehman was another benefactor who bequeathed his fabulous collection with the proviso that it can’t be broken up, so many of the items in it would normally be in other areas of the museum. Being there again I had to stop and say hello to Vincent and admire his paintings once again. And I mentioned Ter Borch earlier, two of his paintings are in the Lehman collection along with many other masterpieces. The Prendergast’s in this exhibit are pencil sketches that he did at the Boston Garden, observing people who were visitors to the garden as they walked or sat or tended to their children who were riding bicycles or playing.  These were then done over with watercolor and are very colorful. Mr. Lehman was able to purchase the entire book of 45 sketches from a Prendergast descendant. The book itself was not in great shape and it was decided it would be easier to preserve the paintings individually which is how they are displayed. My brother visited the exhibit and sent me a photo of a woman sitting in the park reading which I looked at quickly and all I really saw was the splash of color. Subsequently when we were on the phone he mentioned it and I told him I found it rather abstract and he was very surprised saying it wasn’t abstract at all. So I went back and took another look and came back to the phone and apologized, it was definitely not abstract, it was clearly how he described it, what I should have said was it was indistinct. All of these have that sort of blurred look that you sometimes see in Impressionist works. Below should be an example I pulled from the website, it’s of people watching a fireworks display. It’s remarkable how just that splash of blue and yellow with a little orange can depict the fireworks and then also you can see how he depicts the crowd. Very nice. There’s been no article in the Times as yet but this is a link to the Met website with a description of the show. http://www.metmuseum.org/about-the-museum/press-room/exhibitions/2015/prendergast-watercolors  This is a link to the Met website with all 45 images on view. http://www.metmuseum.org/exhibitions/objects?exhibitionId=%7bCAD7D47E-38BD-4F04-BFAA-030607537BFC%7d&rpp=60&pg=1 Remember to click on each to enlarge them.

From there I walked up the steps to the second floor to the European wing and stopped first at Lucas Cranach’s Saint Maurice. This is a permanent part of the Met collection which arrived in 2005 in need of restoration which it has loving received. It’s a beautiful depiction of the Saint Maurice, a Theban member of the Roman guard who was martyred for refusing to slaughter Christians. He is depicted as a Moor in silver armor festooned with gold, pearls and gems. It was the left wing of an altar piece and quite a splendid image. The painting is placed in the center of the room with smaller etchings and objects, as well as informative panels on the walls surrounding it. You can see it at the website here http://www.metmuseum.org/toah/works-of-art/2006.469 and you can see the other images on display here http://www.metmuseum.org/exhibitions/objects?exhibitionId=%7b13945CDC-48D9-4D94-8F53-977BD1FB5214%7d&rpp=40&pg=1  And this is an article that appeared in the now defunct New York Sun when the Met first acquired the piece with background on the painting and the artist. http://www.nysun.com/arts/saint-in-a-suit-comes-to-the-met/59973/

From the Cranach I walked over to an exhibit of 8 paintings by George Stubbs, an English painter who is best known for his paintings of horses and dogs. These paintings are on loan from the Yale Center for British Art and wonderful examples of his craft. There are two horses, Lustre Held by a Groom and Turf, with a Jockey at Newmarket. The other paintings are of men out for a hunt with their dogs. On the panels next to the paintings it says that these were men he knew and was friends with. This is a link to the Met’s website that explores Stubbs and his thoroughbred paintings and depicts Turf. http://www.metmuseum.org/about-the-museum/now-at-the-met/2015/george-stubbs This link discusses the exhibit http://www.metmuseum.org/exhibitions/listings/2015/george-stubbs and this link displays all the images in the exhibit. http://www.metmuseum.org/exhibitions/objects?exhibitionId={1B71AE57-AF6B-4C58-A8A8-C9A8E300DA58}

The last thing I visited was a new acquisition, an enormous painting, roughly 11 feet by 13 feet, by Charles Le Brun, Everhard Jabach (1618–1695) and His Family. Stunningly beautiful image of a husband and wife and their four children with the family dog at foot. The details are wonderful, the bright red fringed carpet, the chipped tile floor, the busts, books, globe and papers, as well as Le Brun who painted himself in the mirror behind the painting with brush and palette. This is a painting to stand in front of and stare at in awe, truly a masterpiece and a great addition to the Met collection. This is a link to a blog piece by Keith Christiansen, Chairman of the Department of European Paintings at the Met, in which he discusses how the museum acquired the painting.  It’s quite a story, be sure to read the comments after the piece as well as there is a lot of fascinating information about the artist and the painting plus more.  http://www.metmuseum.org/about-the-museum/now-at-the-met/2015/jabach-reflections-on-an-extraordinary-acquisition  It’s the fourth of 21 posts at this link, all of which have to do with the acquisition and subsequent restoration of the painting, http://www.metmuseum.org/about-the-museum/now-at-the-met?tag=Charles+Le+Brun&st=tag This link identifies every member of the family http://www.metmuseum.org/about-the-museum/now-at-the-met/2014/meet-the-jabachs

So, a fruitful morning spent at the Met drinking in great art. I will return to the Jabach again from time to time over the years I’m sure.

Oh yes, now on to what pays the rent for this weekly excursion into art, the Flickrs. And please contribute to Betty, if there’s no Betty there’s no weekly Flickr. Or daily anything. Think about how often you come here and what a drag it would be if it wasn’t here the next time you visited.

Andy G.

IMG_2950

https://www.flickr.com/photos/rafiats/17689429521/

Inseparable Siblings

https://www.flickr.com/photos/60741642%40N06/17458436810/ 

julie_lg_sitting

https://www.flickr.com/photos/juliemj2002/705671720/ 

DSC05604

https://www.flickr.com/photos/117560929%40N03/17226134913/ 

Alan & Daniel dressed up for drag night %40 SUUSI...         

https://www.flickr.com/photos/awinner/2711499479 /

Jenna - May 2015

https://www.flickr.com/photos/130760117%40N04/17147427434/ 

Serina9.hiro.smj.dc006

https://www.flickr.com/photos/130820203%40N04/17741837005/ 

Black LBD and red scarf on the bed

https://www.flickr.com/photos/misschristinereid/14128575599/ 

Office Girl by DressGal (15)

https://www.flickr.com/photos/126461197%40N06/17553379266/ 

Pink skater skirt

https://www.flickr.com/photos/toni_richards/17021376454/ 



Online andyg0404

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Re: Well, I guess it’s safe to start the Spring Flickr now.
« Reply #15 on: June 20, 2015, 04:38:28 PM »
Hello everybody and welcome back to My Weekly Flickr.

Not a very nice today, I wore my shorts and regretted it. I kept expecting it to warm up but it never did. I managed to avoid the rain though until I was getting off the bus by my home but I was lucky as it was just drizzling. It appears Father’s Day will be a washout so my sympathies to all the fathers on the board.

I walked up to the Frick museum this morning for a one painting exhibit. This was Frederic Leighton’s Flaming June. Leighton was a contemporary of James Whistler and this painting is hung nicely in the oval room with four of the Frick’s Whistler’s surrounding it on the other walls. It’s a very sensual painting of a woman reclining on a marble bench which is covered in drapery, asleep, wearing a very sheer orange dress which points out that she is not wearing anything underneath. It has an interesting history in that it was lost for many years before being rediscovered behind a false panel in a house in London.  Luis A. Ferré, who, in 1965, founded the Museo de Arte de Ponce saw it in a gallery in 1963 and bought it and it has hung at the Museo since it opened. When the Museo and the Frick announced the exhibition they both stated that this would be the first time the painting was being exhibited in New York City. Which was a surprise to  Ed Miranda, of East Flatbush who remembered seeing it at the Brooklyn Museum in the 70’s. He posted his grievance on Facebook and also contacted the Museo who dug into their annals and agreed that he was right. This is a link to an article in the NY Times from a few days ago about Mr. Miranda. http://artsbeat.blogs.nytimes.com/2015/06/18/paintings-first-time-in-new-york-no-way-no-how-says-brooklyn-man/ This is a link to the Frick website discussion of the painting. http://www.frick.org/exhibitions/flaming_june This is a link to a NY Times article about the exhibit. http://www.nytimes.com/2015/06/12/arts/design/review-flaming-june-arrives-in-new-york-preceded-by-its-reputation.html?_r=0

The Frick has all of its paintings back from the Mauritshuis and it was nice to see them again. My brother had alerted me to the rehanging of three large Van Dyck portraits in the East Room. These have been off view for a number of years and I guess it’s a taste of what we will see in the upcoming Van Dyck exhibition at the Frick in March 2016, something I am looking forward to with great anticipation. The three paintings currently hanging are portraits of Anne, Countess of Clanbrassil, James, Seventh Earl of Derby, His Lady and Child and Sir John Suckling. You can see images of all three plus the other five paintings and two drawings in the collection at this link. If you click on the image, then click on the second image you will see an enlargement. http://collections.frick.org/view/objects/aslist/search@?t:state:flow=5bf97c2f-c65e-4581-83ae-d361d9014e4c It boggles the mind that they are kept in storage. So many museums would love to have one of them.

As I was getting ready to exit the museum I almost missed the small drawing exhibit, Landscape Drawings in the Frick Collection, that is currently on display. I knew of it but had completely forgotten about it and I’m very pleased that I didn’t leave without seeing it. A very powerful lineup, Rembrandt, Claude Lorrain, Gainsborough, John Constable, Theodore Rousseau, Corot, Whistler and Antoine Vollon. The Vollon is a new acquisition, View of Dieppe Harbor, and quite lovely. Here’s a link to a description and image on the website, again click on the image to enlarge it. http://collections.frick.org/view/objects/asitem/People@737/0?t:state:flow=26cfc727-51b8-425a-bb21-3eddcaa2d125  The Rousseau is really splendid as well, just a simple pencil sketch, Pond at the Edge of the Woods, which depicts exactly that. This is a link to a description and image. http://collections.frick.org/view/objects/asitem/search@/0/primaryMaker-asc/title-asc?t:state:flow=5afa0e5c-a8c3-4eee-a8a9-97d203b023d7  The whole exhibit was wonderful. This is a link to the Frick press release for the exhibit which has additional images. http://www.frick.org/sites/default/files/pdf/press/Landscape_Drawings_Release.pdf

After the Frick I walked up to the Met specifically to see a painting that I had missed seeing last week, Turner’s "Ovid Banished from Rome." When I got inside and inquired as to what room it was in the woman at the desk couldn’t find it in the database, all she found was the Delacroix Ovid which was all I found when I searched as well. It’s not surprising as this is a loan which I imagine the Met hopes will eventually become a bequest. So I just asked where the Turners were and she told me gallery 808. I said fine and was about to head there when she stopped me and checked to see if they were open. And, they were closed. I was not amused, especially with my  lack of success with the Linsky collection, which I wrote about last week and which also was closed. I never heard back from the Met and I’ve written them again.

Well I hope you found this entertaining, I guess we can amble over the Flickrs now.

Andy G.

 IMG_1589            

https://www.flickr.com/photos/asiandesert/18192920413/

stood up again...

https://www.flickr.com/photos/131111227@N04/17829354641/

cute boi in bob

https://www.flickr.com/photos/123125505@N06/16595654793/in/dateposted/

is this the most beautiful boi you've ever seen?

https://www.flickr.com/photos/123125505@N06/16400311567/

Michael Roseto Dressed at Cheerleader, yep its his sister's skirt

https://www.flickr.com/photos/13769896@N05/1405013444/

Nina Honey

https://www.flickr.com/photos/ninacrossdresser/17334910462/

Lindsay

https://www.flickr.com/photos/57082758@N08/6242522774/

maid_floor

https://www.flickr.com/photos/sissy_lottie/17799830356/

Alice dress bib apron front

https://www.flickr.com/photos/34969430@N06/17542443258/

puff

https://www.flickr.com/photos/istolethetv/17195904563/

Keystone Gala Ball 2015

https://www.flickr.com/photos/marie_sunshine/16905096915/

Princess colours

https://www.flickr.com/photos/7172871@N04/3446055580/


Online andyg0404

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Re: Well, I guess it’s safe to start the Spring Flickr now.
« Reply #16 on: June 27, 2015, 08:54:24 AM »
Hello everybody and welcome back to My Weekly Flickr.

This will be brief. I’m heading down to the Jersey shore for a visit with friends. I planned on baking a birthday cake but the birthday girl said she would like to try and bake her own birthday cake and instead requested a lemon meringue pie. So it is with a lemon meringue pie and the cinnamon almond sugar cookies that I head south with. Since my Aunt passed away I don’t bake on a regular basis. I won’t bake for myself since I would eat it and that would be bad so I only bake when I’m visiting which is every month or two. Consequently my ingredients go bad. I had eggs in the fridge but they were past their expiration date. Google tells me how to determine eggs freshness. Fill a bowl with water and drop the egg in. If it sinks right to the bottom on its flat side it’s very fresh. If it sinks to the bottom on its end it’s ok. If it floats, throw it away. My eggs were in the middle category which I would have used for a cake but as the pie calls for separating the eggs I opted to deep six them and go for fresh. It’s been a very long time since I’ve baked a pie. When I checked my lemon juice it said best by 2012. When I poured it out the dregs came out in clumps. So everything was fresh and I made a very nice pie if I do say so myself. It’s a lot of work, you have to make the dough, form it into a ball and let it rest in the refrigerator for a day. Then roll it out and put it in the pie plate and put it in the freezer. Then, finally, bake the crust, make the lemon curd, make the meringue, put it all together and bake it. You’re also standing in front an oven that’s set to 450 degrees for the pie shell, then 400 degrees for the pie while you are bringing the lemon curd to a boil. Hot stuff. But very much worth the effort.

So, no art this week, a baking lesson instead. Not quite as brief as I promised but you all know me so well.

Andy G.

puyal029 (lots more in folder for those of us who remember the old Nutrix and Mutrix books)   

https://www.flickr.com/photos/janetpetsie/18991869221/

spring day #5

https://www.flickr.com/photos/45111478%40N08/4498855698/

alice maid 03

https://www.flickr.com/photos/nyaom/5921728248/

Richard_Dress (2)_Devon Valley_2007_

https://www.flickr.com/photos/mahoney028/1463173807/

女装 Japanese Crossdress Christine_BrownSeifukuLooseSocks_03

https://www.flickr.com/photos/christine_3830/3253816408/

From the Archives: Seduction

https://www.flickr.com/photos/tarayoung/8141668673/

kandy lee 24

 https://www.flickr.com/photos/132422189%40N08/17145934139/
 
Edinburgh Fringe: Ladyboys of Bangkok

https://www.flickr.com/photos/26605296%40N06/2747045923/

Tgirl Tuesday April 19 2015

https://www.flickr.com/photos/9514484%40N05/17701566190/

SAM_0245

https://www.flickr.com/photos/anna_mae36/8985681629/

Meijimura (2)

https://www.flickr.com/photos/mayuko_vienna/12848818103/

035

https://www.flickr.com/photos/44815144%40N07/17705550770/

Offline Betty

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Re: Well, I guess it’s safe to start the Spring Flickr now.
« Reply #17 on: June 27, 2015, 01:15:16 PM »
Most fresh water in the N.E. USA & S.W. Canada is mineral rich hard water. It makes it more dense than regular water... just like if you mix lots of salt in the water, the eggs will float.

So an egg standing on it's end could mean nothing more than hard water or with minerals in it. But if it floats in fresh water, it might be bad. However if you're cracking them open rather than hard boiling them, the best test is to see if they look normal, & smell normal. Un-stirred with the yoke unbroken, uncooked, cold out of the fridge, the egg should have very little smell to them.

Treat all raw eggs & meat as if they are contaminated with e-coli or something just as bad. Wash hands, surfaces, & utensils that were in contact with raw eggs or meat. The heat will kill whatever is going in the oven or being cooked. Wash hands after handling the raw egg shells & dispose of them properly. Make sure pets & children can't get at the raw shells.

Online andyg0404

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Re: Well, I guess it’s safe to start the Spring Flickr now.
« Reply #18 on: July 04, 2015, 06:01:39 PM »
Hello everybody and welcome back to My Weekly Flickr.

A very Happy Fourth of July to all the American board members and a Happy weekend to everyone else.

My first week of vacation started yesterday and I am thoroughly enjoying it so far. It’s been filled with art with more to come.

I went to the Metropolitan Museum of Art Friday and again today and expect to go back at least one more time. Yesterday I finally got to visit the Jack and Belle Linsky collection; I’ve written about my frustration at it’s always being closed whenever I’ve tried in the past. But it was definitely worth the wait. The Linsky's were very wealthy and Mrs. Linsky had a very good eye for quality. A good combination if you want to be a serious collector. It is set up in seven rooms and consists of paintings, medieval and Renaissance objects, Sculpture, Jewelry, furniture and carpets, clocks and gilt bronzes and porcelains. It’s the paintings that I wanted to see. The first room is filled with Renaissance religious art which is not a favorite genre for me and I confess I was concerned that I might be disappointed but as I continued on I came to the Old Masters which were wonderful. A small painting on copper of a young man which is a very early example of Ruben’s art, http://www.metmuseum.org/collection/the-collection-online/search/437530 Jan Steen’s painting of The Dissolute Household, http://www.metmuseum.org/collection/the-collection-online/search/437747 Gerard ter Borch’s Van Moerkerken Family, http://www.metmuseum.org/collection/the-collection-online/search/435716 and Gabriël Metsu’s A Woman Seated at a Window http://www.metmuseum.org/collection/the-collection-online/search/437073 are all extremely beautiful and just what I wanted to see. But there was lots more, period rooms with furniture and objects and paintings, one with two paintings by Boucher. A wonderful still life by the Spanish painter Luis Egidio Melendez. Lucas Cranach, Corneille Lyon, David Bailly and many others make this a collection to be treasured. It boggles the mind that the Met limits access to it. To come from far away and not have the chance to go in would be a real shame. The bronze sculptures, which are numerous, are all lovely as are the clocks and a gilt bronze “Automaton in the Form of a Triumphal Chariot Drawn by Four Horses” which you have to see,  http://www.metmuseum.org/collection/the-collection-online/search/207038 Apparently this device actually moves although certainly not in the case. This is a link to a story in the New York Times from 1982 describing the acquisition.  http://www.nytimes.com/1982/03/04/arts/met-is-given-60-million-linsky-art-collection.html. The Met has the catalog available on the website in two forms, as an enormous PDF which takes a very long time to download but also in a link to Google books which has the whole thing available for viewing. It’s well worth looking at, it’s really an awesome collection and I couldn’t be more pleased that I finally was able to view it. I’ll go back again although heaven only knows when it will be open again. This is a link to the catalog at Google books  http://tinyurl.com/nqvqgta

The second exhibit I visited on Friday was the Nineteenth Century American painter George Caleb Bingham, his images of rivers and frontier life. A wonderful show giving a nice overview of his career from his early portraits to the river paintings that made him famous. He was a self-taught artist and in the exhibit is a book that’s a manual for drawing and painting that he actually worked from to hone his craft.  The exhibit is set up really well with the sketches he created for the paintings juxtaposed between the paintings, showing an artist working at his craft. His most iconic painting is The Jolly Flatboatmen depicting a man dancing on the boat with his fellow river men around him, one on fiddle and one tapping a skillet while the others watch him, except for one man who is looking at us the viewer. http://tinyurl.com/oqe689a The descriptive cards explained his technique as, “Bingham often traced his drawings directly onto his prepared canvases, and indentations and registration marks on the drawings and canvases confirm this finding. Using infrared light, conservators were also able to identify numerous pentimenti, or changes on the canvas that are not part of the final compositions.” He also would create a sketch, then put it up against a window with light pouring through and sketch from the back so he could have the same sketch showing from two different sides. This is a link to the NY Times article about the exhibit, http://www.nytimes.com/2015/06/19/arts/design/review-george-caleb-binghams-serene-images-of-rivers-and-frontier-life-at-the-met.html and this is a link to the Met website with all the objects in it. http://tinyurl.com/q7r4vv3 Very worthwhile.

Today I went to see the John Singer Sargent exhibit which just opened. This is a blockbuster, arguably the Met’s big show for the summer. Its theme is portraits of his friends who were all notable artists, writers, musicians, etc. It was brilliant, really outstanding. For such an enormous show, and it took up many galleries,  it was just filled with great works, the oils, the watercolors, the charcoal drawings, everything. There was a crowd but it was not mobbed and they’re fairly large galleries so it wasn’t wall to wall people which allowed me to stand in front of each of the paintings and admire them and also read the descriptive cards which told you who the sitter was and what he or she was famous for. He knew and painted everyone, Henry James, Robert Louis Stevenson, Auguste Rodin, Ada Rehan, Isabella Stewart Gardner, an honor roll of notable Americans of the Nineteenth Century. And all of them are spectacular not one can be considered minor. It made my brother reconsider his opinion of Sargent. He enjoyed his work but didn’t place him in the top tier of artists but after seeing this exhibit he now feels that he is on a par with Thomas Eakins. I have always thought Sargent was wonderful and this only reaffirmed my opinion. This is a link to the NY Times review of the exhibit which appeared in Friday’s newspaper. It’s filled with images. http://www.nytimes.com/2015/07/03/arts/design/review-sargents-intimate-portraits-of-friends-at-the-metropolitan-museum.html and this is a link to the Met website with all the images from the show,  http://www.metmuseum.org/exhibitions/objects?exhibitionId=%7b4F31BE4C-309F-4A01-8A69-45D80D786215%7d&rpp=60&pg=1 I can’t say enough about this show, one of the most enjoyable mornings in a museum I’ve spent in some time. I will definitely go back.

And from the glorious to the Flickrs. Enjoy.

Andy G.

Me in Halloween Drag - circa 1976

https://www.flickr.com/photos/kevynjacobs/5500784047/

Southern Belle

https://www.flickr.com/photos/53516713@N06/16282937205/

Unfortunately I do not have a husband, but I've always dreamed to be dressed as a bride

https://www.flickr.com/photos/128692591@N07/14986459263/

Brides dress

https://www.flickr.com/photos/124457900@N03/15222474788/

Long is demure?

https://www.flickr.com/photos/38745560@N07/18136026005/ 

Leihia1

https://www.flickr.com/photos/leihia1/18171133212/

100_4514

https://www.flickr.com/photos/75502057@N06/18161231200/in/pool-1972122@N23/

Rachel Valentine

https://www.flickr.com/photos/rachel_valentine/18274041931/
 
Little girl

https://www.flickr.com/photos/blackietv/18002006021/

Mellow Yellow

https://www.flickr.com/photos/stefanied/17581080713/

sallycurtsie1

https://www.flickr.com/photos/22704178@N07/10441103945/ 

Sissy maid in pink dusting

https://www.flickr.com/photos/22979184@N05/11099057306/ 


 

Online andyg0404

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Re: Well, I guess it’s safe to start the Spring Flickr now.
« Reply #19 on: July 11, 2015, 04:40:52 PM »
Hello everybody and welcome back to My Weekly Flickr.

Well, my vacation has come to an end but I thoroughly enjoyed myself with a veritable orgy of art which I will relate below. The weather cooperated very nicely as well.

I went back to the Met this morning and went through the Sargent exhibit again. I think that’s going to be a regular stop for me until it closes, whenever there’s nothing else doing. It’s just magnificent and it certainly doesn’t lose anything in multiple viewings. While I was standing in front of one of the paintings a man standing next to me told me that from a distance I looked like the poet Ezra Pound. I laughed and told him I hoped I had a better personality as he was a traitor during the second world war. He asked if anyone had ever told me that before and I said no. He must have considered it a compliment. I didn’t say so but years ago when I was in my late 20’s, early 30’s I looked somewhat like the actor Richard Dreyfuss. This was pointed out by my bus driver who greeted me one night by saying hello, Mr. Dreyfuss. The penny didn’t drop as the only Dreyfus I thought of was the investment house. When he explained, it made some sense, there was a slight resemblance because of the hair, beard and glasses. Now, as an old man, I tell people the story and say that neither of us looks like Richard Dreyfuss anymore. 
 
I also went back to the Met last Monday and saw The Royal Hunt - Courtly Pursuits in Indian Art. It’s hard for me to put into words my feelings about this art, other than to just say, it’s very different from the European and American, not to mention Japanese art which I’ve come to appreciate. Perhaps it’s the fact that it’s unrealistic and in many of the images it seems very repetitive, that is, if it’s a hunt with many followers, it appears the artist picked a template and then more or less repeated it throughout the canvas. It was an interesting exhibit and I’m glad I went but I still haven’t really warmed up to it.

When I wrote to my brother about this he replied , “It does take a while to orient yourself to the visual world of Indian art.  It is not like anything else and it’s not immediately beautiful or ingratiating.  But I’ve found over time that it has grown on me.  I had started with the extraordinary Persian miniaturists, and in comparison the Indian artists who followed them seemed much coarser.  They are in some ways, but it’s a different approach rather than an inferior style.  In all this art you need to focus on the details, which are exquisite, and not the overall image.  That’s the essential difference between Western and non-Western art.  Western art shows you a whole scene and the whole scene is the point (the Crucifixion, the Battle, whatever).  But Eastern art show you details—one after another without really worrying about the impression made by the whole.  It’s the difference between looking at a painting on canvas and looking at a scroll on paper—you see the portrait in one glance, but the scroll can roll on and on, and with every turn of the roll you see other things.”
 
 So, I will have to bear this in mind in the future when I see exhibits of this genre of art.

This is a link to the Met website description of the exhibit with images in the gallery.  http://www.metmuseum.org/exhibitions/listings/2015/royal-hunt

There is an enormous Chinese installation put on by the Costume Center that really is of no interest to me but in one of the galleries there is a video loop of scenes from Anna May Wong films. This was really a lot of fun. Anna May Wong was a Chinese-American actress of the 20’s, 30’s and 40’s who was very beautiful and always dressed exotically, quite often playing a dragon lady part. She made a number of movies where she was in romantic situations with her leading men but could never actually consummate a kiss due to the Hays Code which didn’t allow for depictions of miscegenation in the movies. She is part of the exhibit because of the costumes she wore, some of which are on display in the gallery. From comments by other museum goers I think I can safely say that the majority of them have no idea who Anna May Wong was.  This is a link to the Met website description of her and the exhibit, http://www.metmuseum.org/exhibitions/listings/2015/china-through-the-looking-glass/exhibition-galleries/209

On Tuesday I went to an exhibit of the illustrator Al Hirschfeld at the New York Historical Society. It’s very good. He lived to be 99 years old and his drawings appeared in newspapers and magazines for close to 80 years, most notably in the Sunday edition of the New York Times, every week. It’s a very big exhibit and it was filled with things I had never seen before. I hadn’t known that he was married three times, or I had forgotten that I read it in his obituary in the Times.  Wikipedia didn’t mention the first marriage., so I wrote to them and it took me two times but they added the information. My small bit of keeping the web correct.

This is a link to the website description of the exhibit with images http://www.nyhistory.org/exhibitions/hirschfeld#

This is a link to an interview with the curator also with images. http://behindthescenes.nyhistory.org/the-hirschfeld-century/

On Wednesday I took the train to Princeton to their art museum. I’ve been there a few times now but that never means I know where I‘m going. I was a little confused as to where the DINKY shuttle was this time but I found it. The conductor on the main train took my ticket and I didn’t think to ask for it back but when I told the DINKY conductor he just mumbled that I should get it back next time. I found the museum without too much trouble but I walked the wrong way on the way back. Finally found someone who pointed me in the other direction and I was able to find it but I missed my train. I did this so off the cuff that I forgot that the DINKY has a schedule which I should have checked. I sat on it for about 15 minutes before it pulled out. Then at Princeton Junction I had to wait about another ten minutes or so for the train home. But it was a local which took a long time and when I got to my connecting junction, my train home was 50 minutes away. But the exhibit was wonderful.
 
It was their watercolors and it was filled with favorites of mine, I’ve put in links where I could find them, they can all be enlarged.

William Trost Richards, Near the Inlet Atlantic City, http://artmuseum.princeton.edu/collections/objects/18960
Thomas Eakins, this is a link to the picture 70 Years Ago http://www.blog-arte.net/?attachment_id=10839  and this is a link to a discussion of Eakin’s life and watercolors, http://www.handprint.com/HP/WCL/artist44.html
2 Winslow Homers, The Trysting Place, http://www.winslow-homer.com/The-Trysting-Place-large.html Eastern Point Light http://tinyurl.com/o3r6jrn
2 John Singer Sargents, Girgenti, http://www.wikiart.org/en/john-singer-sargent/girgenti#supersized-artistPaintings-266123
Thomas Moran, Venice, http://artmuseum.princeton.edu/collections/objects/11406
3 Edward Hoppers, Lime Rock Railroad, http://artmuseum.princeton.edu/collections/objects/5505 Trawler & Telegraph Pole, http://artmuseum.princeton.edu/collections/objects/5506
2 Maurice Prendergasts, Sea and Boats, http://artmuseum.princeton.edu/collections/objects/42193 New England Shore, http://artmuseum.princeton.edu/collections/objects/16347
Childe Hassam, Newfields, New Hampshire http://artmuseum.princeton.edu/collections/objects/5238
William Constable, Mill at Parkman Town… you have to scroll down to the section on Constable,  https://graphicarts.princeton.edu/category/medium/painting/page/3/
There were many more, it’s a brilliant collection.

This is a link to the museum website description of the exhibit, with some images. http://artmuseum.princeton.edu/story/painting-paper-american-watercolors-princeton

This is a nice image of the third Hopper http://www.artfixdaily.com/artwire/release/2165-painting-on-paper-american-watercolors-at-princeton-on-view

On Thursday, I visited the Morgan Library. I saw their current drawing exhibit which was a wonderful show. JP Morgan must have bought the bulk of his drawings in one lot in 1909 as so many of the drawings have that date for acquisition. He didn’t get cheated. 3 Ingres, pendant drawings of a husband and wife and a wonderful portrait of his wife with a self-portrait stuck in next to it.  Sargent watercolor of his friend Paul Helleu. Very early Van Dyck and a study for Anna Van Thielen. Rembrandt sketch of Saskia sleeping, twice. Giovanni and Lorenzo Tiepolo, Matisse, Picasso, Toulous Lautrec, a wonderful Hendrik Goltzius of a young man with a skull and tulip, http://www.themorgan.org/drawings/item/128202,  Degas, Joseph Wright of Derby, Gainsborough study for The Hall which hangs in the Frick, several Bernini’s, a really charming self-portrait by Louise-Elisabeth Vigée-Lebrun http://www.themorgan.org/drawings/item/110095  and a bunch of others.

There’s a photo exhibit upstairs which didn’t move me but interspersed with the photos are more drawings. Rembrandt, Botticelli, Samuel Palmer, Claude Lorrain, 2 William Blakes, Goltzius Melpomene, Gaugin and Watteau plus others.  This is a link to the Morgan website where you can see images, listed by the artist. You can then call up individual drawings and enlarge them. http://www.themorgan.org/drawings/artists

There was an exhibit on Alice in Wonderland and her creator C.L. Dodgson or Lewis Carroll,  that was fun as well, photographs, books, manuscripts and drawings. Very enjoyable.

This is a link to the Morgan Library press release describing the exhibit and listing all the artists in it. In the release are images for Rembrandt’s Saskias, Joseph Wright of Derby, Goltzius and Picasso, all of whom I mention above. http://www.themorgan.org/sites/default/files/pdf/press/LifeLinesPressRelease_0.pdf

On Friday I walked downtown to the Meat Packing District to visit the new home of The Whitney Museum. Hop Stop, a website which gives transit and walking directions in NYC,  told me to walk down 8th Avenue and go right on 13th Street and left on Gansevoort.  Google maps showed 9th Avenue turning into Gansevoort so I walked down 9th Avenue. I don’t think it turned into Gansevoort but I did find it. Not that it will be any easier if and when I go back. It’s a beautiful, wide open building with glass walls that allow for a very nice view across the river. Of course for someone like me who is directionally challenged I couldn’t tell you if it’s Manhattan, New Jersey or another borough. Or France. While I waited on line there were three tourists from, gauging their accents, Australia, standing on line behind me. I was looking at the newspaper coverage of the baseball game and the Father saw it and they spoke of baseball. When the Father spoke of three balls and three strikes I looked up while the Mother corrected him and looked to me as arbiter when he argued. I agreed with her. They had been mentioning the venues they had visited and I immediately told them to go to the Frick and they quickly noted the address so I feel I did a cultural good deed.

The Whitney may have a new building but nothing really has changed. I knew it was going to be only items from their collection but I didn’t really see anything that wasn’t on view uptown. And half of it was of the type I’m not really excited about. I had hoped they would have brought some things out of the basement or attic and given them a showing but I guess they felt they had to show familiar things to all the people who would be visiting for the first time. They had three Hoppers on display though, all good ones but still, all very familiar, Seven A.M., http://www.edwardhopper.net/seven-am.jsp#prettyPhoto Early Sunday Morning,  http://www.edwardhopper.net/early-sunday-morning.jsp and Railroad Sunset,  http://www.edwardhopper.net/railroad-sunset.jsp which is really exquisitely beautiful. Otherwise, for me, it was Sheeler, DeMuth, Bellows, Benton, Marsh, O’Keeffe, Hartley and others. The one thing that was new to me was woodblock prints by a 20th Century Japanese artist Chiura Obata. They were very beautiful and I thought they hewed nicely to the style of Hiroshige and the other Japanese artists of the 19th Century that I have only recently come to appreciate. I was particularly taken by this one, Full Moon Pasadena, Ca,  http://collection.whitney.org/object/46366

I’ll be curious to see what upcoming exhibits they have as time passes, none of the upcoming exhibits for the next year on the website indicate I will be going back soon.

And as my ancient Aunt was fond of saying, before I knew it, my vacation was over. But I look forward to another week at the end of August and one more between Xmas and New Year’s. Something to keep me functioning through the hum drum days of work.

And now, as you’ve all been so patient, let’s go to the Flickrs.

Andy G.

marie_antoinette_02

https://www.flickr.com/photos/128510274@N06/18326314265/

0108shinymeri-(4)

https://www.flickr.com/photos/meritats/17702881923/

stretched my legs

https://www.flickr.com/photos/katvarina/18043141250/

This is going to be a fun girly day

https://www.flickr.com/photos/kirasydney/18113340899/

Home alone. yahoo!

https://www.flickr.com/photos/natalia_femina/18019128228/

Cute Yellow Mini-Dress

https://www.flickr.com/photos/57172609@N04/17390491393/ 

VWS 2015 #12

https://www.flickr.com/photos/marie_sunshine/17950490382/ 

Sunday in the park

https://www.flickr.com/photos/blackietv/18210220119/     

DSCN0959 copy

https://www.flickr.com/photos/rudi_burnell/17844547023/

Mirror Mirror

https://www.flickr.com/photos/sexykellie/18464895265/

IMG_6003: mini one-piece, ready to go out

https://www.flickr.com/photos/mimo-momo/4442620182/




 

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